Abstract Harris and Carr
Today I got back to the Art Gallery of Alberta. My first motivation was to re-visit the Emily Carr exhibit. My second reason was a visit to the new exhibition of abstract paintings by Lawren Harris, renowned landscape painter with the Canadian Group of Seven.
Lawren Harris was a founding member of the Canadian landscape school but even in some of his later landscape paintings the move to abstraction was very apparent. This exhibit, simply and appropriately called Lawren Harris Abstractions, focuses solely on the abstract works later in Harris’ career. The core of this relatively small exhibit are six paintings from the Art Gallery of Alberta’s own collection. Supplementing those works are sixteen from the National Gallery of Canada. Probably half of the works are large (a meter or two) paintings and very interestingly there are a number of abstract sketches, some apparently preparatory sketches for the works on canvas. There is a certain spirituality to Harris abstracts relating to Harris’s following of Theosophy.
I really enjoyed these Harris works and spent some time studying the curves, colors, shapes, volumes and composition. They are interesting from across the room and intriguing up close. The Harris exhibit runs through to September 11, 2011.
For more about Harris and his abstracts check out this CBC story from 1961.
The other exhibit I had an opportunity to visit today was Nature and Spirit: Emily Carr’s Coastal Landscapes. I had seen this exhibit a few weeks ago and at the time vowed to visit again. It was just as impressive this time as it was the first time. I focused just on Carr’s paintings today foregoing the companion exhibit of Canadian west coast native art and artifacts. For more on my first visit see my earlier blog post.
The Carr exhibit runs until 2011 June 5 and I will get back, at least one more time.