Credit to a Curator
It might be said that a curator (of an art exhibition) is doing their job when they aren’t even noticed or thought about by the visitor to an exhibit. Most of the time, I never give any thought to who the curator was or how well they did their job. The exhibit either works and I enjoy it (the art work presented) or it doesn’t really make an impression on me so I just move on.
Last week though, while visiting the Vancouver Art Gallery, I found myself thinking “This shouldn’t be working but it does – Who curated this?”
The exhibit I refer to is “Emily Carr and Landon Mackenzie: Wood Chopper and the Monkey“, described in the exhibition guide:
Engaging in a dialogue with the work of eminent British Columbia artist Emily Carr, Vancouver-based painter Landon Mackenzie presents three thematically arranged galleries with more than 50 artworks that collectively span over 100 years of landscape paintings by these two artists.
Why I was skeptical about this exhibition working is because I hold Emily Carr in such high esteem. I couldn’t imagine presenting her work with anyone but, say Tom Thomson or the Group of Seven members. Landon Mackenzie is a contemporary artist, born in 1954, whose work while including some landscape elements also extends to large abstract paintings that at first glance would seem to have no way of being connected to Carr’s work. Somehow though, the juxtaposition of the work of these two artists works and delivers and pleasing and meaningful experience.
This exhibit runs at the Vancouver Art Gallery from 2014 September 20 to 2015 April 6. Incidentally this exhibit is the fourth in a series of exhibitions pairing Carr’s work with that of contemporary artists from the region. It was the first one that I’ve seen (or was even aware of) but my interest is piqued.
Oh, yes, the curator? Grant Arnold, Audain Curator of British Columbia Art – BRAVO!