Another five camera-motion abstracted images, from recent photos:
These are five abstract photos that I took/created today:
All of these images are 2-second exposures with some element of intentional camera movement.
It was a beautiful sunny morning after a couple of cooler days. It was also my last opportunity to gather some plein air images for printing. What type of landscape I wanted to capture, I wasn’t sure, but I was confident I’d know it when I saw it.
Perhaps a receding fenceline? Or a grassy field backed by the forest: Maybe a bending path: Or a little creek There’s a tree with some character worth capturing: Maybe some wild flowers? A path through the shaded woods? Ah finally, this is it: A colorful edge of a field with some attractive curving lines. I walked up and down the bit of trail overlooking this scene. There was no great place to sit so I chose a spot in the grass at the side of the trail. I got out my watercolor paint sticks and yupo sheet and sat down. But, What’s that … an ant? No not AN ant, hundreds of them. The ground was swarming with them. They were soon all over the supplies that I had set down on the ground and before I knew it they were also crawling over me! I picked up my stuff and frantically started brushing off the ants as I got the heck out of there. My initial thought was to move along and find a nearby place to try again – but I was spooked! I ended up deciding to just collect some photos for future reference and head back to the (safety and comfort of the) studio.
Today I was back at taking some long-exposure, camera-motion abstract photos. This batch emphasizes color, sometimes subtle, sometimes bold.
This picturesque morning in Edmonton was the day after a heavy spring snow fall (with much of it still on the ground). The day started off foggy but the sun soon broke through making for some good images.
It has become quite common (an pretty much acceptable) for artists to paint from photographic references rather than from a model in the studio or from a landscape “en plein air”. But do photographs have any value to an “abstract” painter? Well, for me they certainly do. One of my favorite forms of photography is abstractions, especially those that push to the edge of non-representational-ism. Through the use of camera-motion and long exposures, with a bit of post-processing to enhance colors and contrast (and some cropping), I regularly come of with images that I will use to inspire my paintings. Here are some recent examples (all are photographs) that I can’t help thinking would make dramatic largish paintings on canvases/boards/paper in acrylic, oil or pastel.
My painting are yet to come out of any of these images and I’m not sure how related the final work might appear in comparison to these references but some day I shall tackle them.
Another bunch of abstract photos from the same session as the last post. This group though might be described as less abstract in that the source image can probably be identified.