Here is a collection of my favorite photos from each month in 2018. I didn’t start out looking to adhere to any particular theme but as it turns out, all of these are images of the natural environment and they were all taken close to my home, in Edmonton’s river valley.
So there you go, my “favorite” photos taken in Edmonton during each month of 2018. For some months it was hard picking a favorite, so, especially towards the end, I would default to the image that was most consistent with the developing “nature” theme. I am tempted to assemble another collection focusing on my black and white, or abstract photos from 2018 – stay tuned.
In my last post I shared five abstract photos emphasizing the colors of autumn. It turns out that I have more images from that photo shoot (in Edmonton’s river valley) that really appeal to me and I hope that you will like too:
A look at the shapes and tones at the edge of the North Saskatchewan River in Edmonton (in early April 2016). A few weeks earlier the river was covered in ice but now the river is clear with just a few big chunks of ice sit washed up on the shore. The ice decaying but reveals a captivating crystalline structure:
Here are some photos taken on the same outing as my hike last Sunday in Edmonton’s Mill Creek Ravine – but taking out the color the images have a much moodier feel.
and as a bonus, a black and white image from beside the river in Edmonton’s Louise McKinney Park:
Here is a little collection of black and white photos themed around the patterns and textures of late winter (late February at my home here in Edmonton).
Here are a few of my recent black and white photos showing Edmonton’s river valley in early January.
Here are some recent abstract photos of natural subjects. The edges have been softened and blurred by varying amounts of camera movement during an extended exposure (a couple of seconds).
As April arrives in this part of the world (Edmonton, Alberta, Canada), spring continues its advance. Although it will be a good month longer until the bare trees will burst into leaf, the snow (even that which fell in the last week) is mostly melted and there is something in the air that warms the soul and brings a smile to my face.
Today while out walking in Edmonton’s river valley I caught these images, these hints of life to come:
I have recently been reviewing (and cleaning up) some photos from a trip taken a number of years ago. It was June of 1993 when we set off driving from Edmonton to the Yukon and Alaska. In this post I feature 5 landscape photos taken on the way back. I don’t remember exactly where each of these were taken – most likely in southern Yukon but possibly southeast Alaska or northern British Columbia.
These photos were all shot on color slide film then scanned and digitized a few years ago. That process did not yield great results but after a bit of work with Lightroom I have achieved some images that are presentable. Black and white digital processing seemed particularly suited to these landscapes:
For the second year, the first week of July has been an opportunity to escape the city and normal responsibilities for the serenity of the countryside and the inspiration of being around like-minded artists.
A group of 12 painters gathered at the Lazy M Lodge in rural central Alberta for five days of rest, relaxation and rejuvenation.
My main goal for the week was to focus on painting but I knew my eye would be drawn to many more sights than I could attempt to paint. Therefore my camera would be close at hand and be put to good use capturing references for current and future landscape paintings as well as for some things that are just more suited to photographic images than paint.
My goals for the week were pretty loose but I did want to focus on landscape painting and I did want to work larger and looser with acrylic than I had done the previous year. So I did away with the backpack and pochade box and working on by 9 by 12 inch boards. This year I wouldn’t be packing my gear – I brought some medium size (22 by 28 inch; 56 by 71 cm) stretched canvases, a portable easel and a (5 foot long) folding table. I pre-mixed my acrylic paints half-and-half with a heavy gel to help hold the texture and to extend the working time. I also would use a couple of stay-wet, sealable palettes for color mixing. I used a split-primary color palette and would do mos of my painting thick and with a palette knife)
Of course, my eye was looking not only for landscapes that I could paint quasi-en-plein-air but also for inspirations for future studio abstract paintings. I re-visisted my long-exposure with camera-motion technique to generate some of these ideas:
A project that the group of 12 painters undertook during the week was to produce this composite canvas (4 feet square) to be left at the Lazy M Lodge:
It wasn’t a highly productive week in terms of completed canvases. In fact I completed only 2 (and one is not a keeper). I got a good start on another couple of canvases forming a landscape diptych. Nonetheless, it was a very beneficial week – the rest and rejuvenation benefits can not be understated.
For more photos visit my Lazy M 2014 Flickr album.