While not unheard of, foggy days in Edmonton are also not very common. This last weekend in Edmonton was however one of those times – a fog just heavy enough to hide the far side of the river valley and flatten out depth. The high humidly and sub-zero temperature resulted in a delightful, frosty coating on the trees.
Combining the fog, frost and late afternoon/early-evening light lead to these moody, black and white images:
In the early 1990’s I did a series of paintings of the Riverdale community, in Edmonton’s river valley.
One of the most distinguishing features of the community at the time was the large, undeveloped tract of land that belonged to the historic Little Brick factory, By the end of the decade those fields would be redeveloped to look like suburbia, but at the time it lent a rural charm to this area, just a kilometer from downtown.
A decade and half later I would revisit this series with a few more paintings of the community:
Here is a little collection of photos of trees, taken on the last day of winter (2016 March 19) in Edmonton.
Here are some photos taken on the same outing as my hike last Sunday in Edmonton’s Mill Creek Ravine – but taking out the color the images have a much moodier feel.
and as a bonus, a black and white image from beside the river in Edmonton’s Louise McKinney Park:
Technically it is late-winter, not quite spring yet, but the melting has begun, puddles formed and reflections are making for some interesting images:
Here is a little collection of black and white photos themed around the patterns and textures of late winter (late February at my home here in Edmonton).
Take away the color and you are left with line and value.
A New Year’s Eve afternoon walk in Edmonton’s river valley revealed interesting patterns made by snow and ice, trees and the sun.
More magical long exposure photos from the dark days of December:
See December Magic (part 1) for more similar images.
The Kate Bush song “December Will be Magic Again” comes to my mind every year around this time. While the darkness in the northern hemisphere in December would seem to be a major deterent to photography it does open a door to a magical world.
I am torn between shooting at 1600 ISO and a wide aperture for low light handheld photography or giving in to the darkness and shooting at 100 ISO with an exposure of a couple of seconds, completely abandoning any attempt to stabilize the camera for a “clear” image. In fact when I go to such slow shutter speeds I will deliberately move the camera during the exposure to create magic!