Here are my favorite abstract photos from each month of 2018. I have employed a number of techniques in these selections, from found patterns in “nature”, to digital manipulation to camera (or object ) motion:
Looking back on 2018, I didn’t do as much abstract photography as I thought I did. At least I didn’t capture as many images during 2018. I did finish up a number of abstract photos that I had taken years ago, and they are among my favorite images. However those images are not included in this 2018 collection, so please look back to my earlier “abstract photography”- tagged blog posts to see them.
I often check my photos archives to see what I was doing and what images I captured on the current date but years ago. Today I went back to 2011 (December 30th) and found some interesting raw photos that with a bit of tweaking became much better.
It is fun to think that I am collaborating with my past-self to create these works. Here are some of the results from today:
I’m going back in my archives to 2011 (November 25) for these never-before-presented camera-motion abstract photos:
In Part 1, I shared 5 abstract photo images, taken in the Edmonton river valley on a beautiful spring day in May of 2013. Here area few more images conveying the color and lines of spring:
In the depths of a dull November day I reached back in my photos archives for some memories of spring to brighten my mood.
I found some photos from May 20th of 2013 that captured the light, mood and color of spring. After tweaking these camera-motion abstract photos a bit, these are the images that I came up with:
Watch for more abstract photo images from this day in Spring Revisited (Part 2).
I love the media of pastel – for the rich color and soft shapes that can be depicted. Autumn is a great time to be inspired by the natural landscape, to find images particularly suited to pastels:
Those people familiar with my work probably correctly guessed that the images above are not pastel works but rather are abstract photos that I took and created, with the intent of using them as reference images for future pastel paintings.
Here are some of my recent (September 2018) abstract photographs:
These photos were created by using a shutter speed of around 1.5 seconds and moving the camera during the exposure. I then tweaked the digital images (contrast, color saturation, cropping etc.) using Lightroom.
I hope to use some of these images as inspiration for paintings.
It is the end of January and the North Saskatchewan River in Edmonton is frozen over and covered with 15 centimeters of fresh snow. I venture to the river’s edge and am captivated by the abstract forms that I see:
This morning, I was looking through my old photos, curious as to what I might have been looking at, taking photos of, on this day in past years. As it turns out I hadn’t been very active on January Thirteenths, but I did find some from 2012. In fact, I quite liked what I was doing that year – it was a bit of a treasure chest of abstract images!
I took a number of those photos, tweaked and cropped them to come up with these final images (which I like and hope you will too):
I’ve looked back at my photos (those taken with my Nikon) from 2017 and picked out my top 20 favorites. The first ten are presented here and the second 10 will be in the “Best of 2017 Part 2” blog post.
My top 20 photos from 2017 continued in Part 2.
In my last post I shared five abstract photos emphasizing the colors of autumn. It turns out that I have more images from that photo shoot (in Edmonton’s river valley) that really appeal to me and I hope that you will like too:
It’s the end of September here in Edmonton and our autumn colors must be near their peak. It has been a while since I’ve dabbled in creating abstract photos but that’s what I did today and here are some of the results:
These photographs were all created using a longish (1.5 to 5 seconds) exposure with deliberate movement of the camera.
It seems like a longtime since I’ve added a post to this blog and since I did any camera-motion abstract photography. Well today (Sunday, September 11, 2016) I did take my camera out, put on a neutral density filter and cranked the shutter speed down to 2 seconds. The day was cool, wet and gloomy but I imagined to find some color and these interesting images:
Technically it is late-winter, not quite spring yet, but the melting has begun, puddles formed and reflections are making for some interesting images:
Here is a little collection of black and white photos themed around the patterns and textures of late winter (late February at my home here in Edmonton).
Color can be hard to find for months during the long Edmonton winter.
However, with a bit of light and a long exposure photograph …
Today was another one of those days when I just go for a walk in downtown Edmonton and see what I can see – what I can see in terms of interesting patterns.
A New Year’s Eve afternoon walk in Edmonton’s river valley revealed interesting patterns made by snow and ice, trees and the sun.
I have often used camera motion during a long exposure to create an abstract photo. I recently took some of these photos one evening in downtown Edmonton and discovered after the fact that I have used a good variety of camera motions for different effects.
Three recent (2015 October) photos – abstracts, in that what makes them interesting is the simplification of, the focus on, certain geometric forms.
A bit of texture, some color and practically nothing recognizable:
Dare I say “completely”, “non-objective”? Non-representational? The images in this post did after all derive from photgraphs of real objects. Nonetheless, what is left are images, interesting just for their form and color – their source is even a mystery to me now.
Here are some recent abstract photos of natural subjects. The edges have been softened and blurred by varying amounts of camera movement during an extended exposure (a couple of seconds).
Even when out walking about taking photos I like to mix things up. I might shoot images that I think have the form to work well as black and white and then I will shift gears, drop my shutter speed way down and generate some camera motion abstracts.
Here are a selection of photos from my recent photoshoot in Calgary, where I abstracted images in the downtown area. There is a suggestion of the hard lines of urban forms but they are softened and there is a sense of familiarity but you can’t quite focus and identify the forms.