Deep Freeze
The following set of photos were taken in late December 2021 in Edmonton, when the temperatures (daytime highs) were in the -25C range. This made the photography a bit of a challenge as I didn’t want to expose the camera nor my hands to the cold for too long.
The preceding photos were taken on a cloudy afternoon and the following set, on the next day, with a mostly sun and blue skies.
Old But Not That Old
I’ve recently been experimenting with software that simulates the look of photos created through the history of photography. The software that I am using is DxO’s FilmPack 6 (FP6). Among the historical looks that appeal to me and that I have been applying to some of my photos, are the style of the early 1900’s and especially that of Eugene Atget, a French photographer.
I thought that some of my photos, taken in the 80’s, in Paris, might be particularly suited to the historical treatment. My photos from that time were obviously taken on film and I subsequently scanned and digitized them, so they lost some of the detail in the process but given the limits of film and processing from a hundred years ago I think that only adds to the authenticity of the look. Here are two of my photos software-adjusted to simulate the look of photos from around the year 1900:
Here are photos that I took in 1984 at Paris’s Père-Lachaise Cemetery. These are intended to look like something Atget may have captured in the first couple of decades of the 1900’s:
One of my reasons to visit that cemetery was to see the final resting place of Jim Morrison:
So what do I think of software manipulation of photos to give them an antique or historical look? Well it is kind of fun and I’ll probably play around with it a bit more, particularly on old, low quality images. I’m not trying to fool anyone but if the look of the photo contributes to the mood conveyed by the image and that helps tell the story then I think the historical treatment is valid.
Randall Talbot - Artist 