painting and photographic works

Exhibiting

Twitter Art Exhibit 2016

I am participatingĀ again in the Twitter Art Exhibit. I mailed my postcard-sized painting today. It should comfortably get to New York by the March 11 deadline.
Here’s an image of my piece, entitled “Restless”:

image

This, the sixth, Twitter Art Exhibit runs March 31 to April 21 (2016) at the Trygve Lie Gallery in New York City.

Like all of the preceding Twitter art exhibitions, the works are donated by artists from around the world and sold, with proceeds going to charity. There is no theme for the exhibit (the only thread connecting the exhibit is that all of the artists are on Twitter), so the range of works is mind boggling. To get a feel for the diversity, look inside the book featuring the works from the 2014 Twitter Art Exhibit that was held in Orlando.

The first Twitter Art Exhibit was held in 2010 in Moss, Norway, the hometown of founder David Sandum (@DavidSandumArt), after he called upon his many international artist friends on Twitter. The rest as they say is history.

My Twitter handle is: @RandallTT

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Securing an Exhibit – Questions to Ask.

I was recently involvedĀ  in discussions with an art organization about technology options for securing an art exhibition. Unfortunately, theft of art, especially from exhibits in public spaces, does occur. There are an increasing number of options for monitoring and alarming an exhibit and the financial commitment can be significant. Without going into technical specific of different options, I recommend stepping back and asking yourself a few general questions.

The questions to ask relate to what you are expecting the security solution to do for you and what it can realistically be expected to deliver:

  1. Will it be a deterrent to theft? Will potential thieves be aware that there is a security system and be scared away from attempting anything?
  2. Will it help stop a thief in the act? Would the system trigger some sort of visible or audible alarm that might make a thief run away without completing their dirty work?
  3. Will it help recover a stolen work? Does the system have a way of tracking the stolen piece or provide a means of identifying the thief (e.g. a video recording)?
  4. Will it help the reimburse the artist for a stolen work? Maybe what’s needed is theft insurance?

There will probably be lots of other considerations but these questions should help an organization check if their expectations and deliverables from a security solution are a match.

If the technology does nothing more than tell you a piece of art has been stolen, is that really worth paying for?

post script: As a commenter (@lauxmyth) on my twitter feed mentioned “We do have to remind folks at times to balance alarms/camera with the locks/doors and INSURANCE”. The best security will be multi-faceted but you have to think about what is necessary/desirable and what you can afford.