painting and photographic works

Posts tagged “abstract

Impressions of Autumn

It’s the end of September here in Edmonton and our autumn colors must be near their peak. It has been a while since I’ve dabbled in creating abstract photos but that’s what I did today and here are some of the results:

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These photographs were all created using a longish (1.5 to 5 seconds) exposure with deliberate movement of the camera.

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Lines (an Abstract Painting Series)

This small series from the autumn of 2012 was an exploration of mark making into the wet surface of an oil-painted canvas:

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“Marks”, oil on hardboard, 30 by 30 cm, 2012

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“Fall”, Oil on canvas, 46 by 46 cm, 2012

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“Lines in a Field”, oil on hardboard, 30 by 30 cm, 2012

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“Spirals”, Oil on canvas, 46 by 46 cm, 2012

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“Maxwell”, Oil on hardboard, 61 by 61 cm, 2012


Earth Light Tapestries Series (part 2)

In this blog post, I present the middle third (pieces 9 – 16) of my 2006/7 Earth Light Tapestries series of abstract paintings. (The first 8 pieces are shown in Part 1 of this blog post)

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“Earth Light Tapestry IX”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry X”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry XI”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry XII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry XIII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry XIV (The Sun King)”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry XV”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry XVI”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

The final group of paintings from this series can be seen in part 3 of this blog post.


The Earth Light Tapestries Series (Part 1)

The non-representational (abstract) painting series which I called “Earth Light Tapestries was my largest and most deliberate series. I began the series in late 2006 and finished in early 2007. A dozen pieces from this series were exhibited in a solo show at the Milner Library in Edmonton in November of 2009.

From the start, I set out with the goal to paint 24 pieces, each which would be 24 by 24 inches (61 x 61 cm) in size. I used acrylic paints with the intent to be experimental with textures and additives. The “earth” in the series title refers to the “earth” pigments (ochres, umbers, sienna, etc.) that dominated the colors through this series.

The pieces were just given numerical titles (in roman numerals) corresponding to the order in which they were created.

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“Earth Light Tapestry I”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry II”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry III”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry IV (Windy City Sand Storm)”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

The “sand” reference in “IV” comes from the texture which was created by the mixing a fine sand into the paint and gel media.

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“Earth Light Tapestry V”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry VI”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry VII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

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“Earth Light Tapestry VIII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)

The rest of the pieces in this painting series are presented in Parts 2 and 3 of this blog post series.


Whales Atrium (a Painting Series)

One of my weirdest (and by weird I mean quirky and fun) painting series was the abstract group of paintings that I did in 2010 and which I called “Whales Atrium”*. In this series I played around with various acrylic media and additive in a very exploratory and undirected way. Other than the lack of any direction other than to experiment, the common element to the 12 paintings in this series is the size – all works are on 30 by 30 cm (12 inch) hardboard panels.

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“Eggman”

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“English Garden”

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“Ga Joob”

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“I am He”

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“If the Sun Don’t Shine”

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“I’m Crying”

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“Penguin Singing”

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“See How They Fly”

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“See How They Run”

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“Sitting on a Cornflake”

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“Smile Like Pigs”

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“The Joker Laughs”

Don’t try to read too much into the titles of these works, they were largely an afterthought.

* I am still waiting for someone to “get” the significance of this series title. Let me know if you think you do.


Return From Whenever

It seems like a longtime since I’ve added a post to this blog and since I did any camera-motion abstract photography. Well today (Sunday, September 11, 2016) I did take my camera out, put on a neutral density filter and cranked the shutter speed down to 2 seconds. The day was cool, wet and gloomy but I imagined to find some color and these interesting images:

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Chicken Scratch

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Broken Spiral

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Rosy Glow

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Darkness in Light

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Cherry Blossom


Spring Reflections

Technically it is late-winter, not quite spring yet, but the melting has begun, puddles formed and reflections are making for some interesting images:

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Chains

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Puddle and Path

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Storyland Sky


Splash of January Color

Color can be hard to find for months during the long Edmonton winter.

However, with a bit of light and a long exposure photograph …

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Snow and Shadows

A New Year’s Eve afternoon walk in Edmonton’s river valley revealed interesting patterns made by snow and ice, trees and the sun.

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Blue Diagonals

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Alien Icescape

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Foot Paths

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Tangled

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Crystalline Edge

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Trampled

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Like Flakes


Moving This Way and That

I have often used camera motion during a long exposure to create an abstract photo. I recently took some of these photos one evening in downtown Edmonton and discovered after the fact that I have used a good variety of camera motions for different effects.

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Dance in the Distance

 

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Cycles of Light

 

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Towers of Dripping Light

 

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Side Step

 

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Scratchy