It is the end of January and the North Saskatchewan River in Edmonton is frozen over and covered with 15 centimeters of fresh snow. I venture to the river’s edge and am captivated by the abstract forms that I see:
This morning, I was looking through my old photos, curious as to what I might have been looking at, taking photos of, on this day in past years. As it turns out I hadn’t been very active on January Thirteenths, but I did find some from 2012. In fact, I quite liked what I was doing that year – it was a bit of a treasure chest of abstract images!
I took a number of those photos, tweaked and cropped them to come up with these final images (which I like and hope you will too):
It’s the end of September here in Edmonton and our autumn colors must be near their peak. It has been a while since I’ve dabbled in creating abstract photos but that’s what I did today and here are some of the results:
These photographs were all created using a longish (1.5 to 5 seconds) exposure with deliberate movement of the camera.
This small series from the autumn of 2012 was an exploration of mark making into the wet surface of an oil-painted canvas:
In this blog post, I present the middle third (pieces 9 – 16) of my 2006/7 Earth Light Tapestries series of abstract paintings. (The first 8 pieces are shown in Part 1 of this blog post)
The final group of paintings from this series can be seen in part 3 of this blog post.
The non-representational (abstract) painting series which I called “Earth Light Tapestries was my largest and most deliberate series. I began the series in late 2006 and finished in early 2007. A dozen pieces from this series were exhibited in a solo show at the Milner Library in Edmonton in November of 2009.
From the start, I set out with the goal to paint 24 pieces, each which would be 24 by 24 inches (61 x 61 cm) in size. I used acrylic paints with the intent to be experimental with textures and additives. The “earth” in the series title refers to the “earth” pigments (ochres, umbers, sienna, etc.) that dominated the colors through this series.
The pieces were just given numerical titles (in roman numerals) corresponding to the order in which they were created.
The “sand” reference in “IV” comes from the texture which was created by the mixing a fine sand into the paint and gel media.
The rest of the pieces in this painting series are presented in Parts 2 and 3 of this blog post series.
It seems like a longtime since I’ve added a post to this blog and since I did any camera-motion abstract photography. Well today (Sunday, September 11, 2016) I did take my camera out, put on a neutral density filter and cranked the shutter speed down to 2 seconds. The day was cool, wet and gloomy but I imagined to find some color and these interesting images:
Technically it is late-winter, not quite spring yet, but the melting has begun, puddles formed and reflections are making for some interesting images:
Color can be hard to find for months during the long Edmonton winter.
However, with a bit of light and a long exposure photograph …