The “2012-08” Series
In August of 2012 I started a small series of large canvases. This series of abstract paintings were all done on 91 by 121 cm (3 x 4 feet) canvasses. I used generous amounts of gel with the acrylic paints for think, juicy textures. The color palette was restricted to the primaries, plus black and white.
“2012-08-01” acrylic on canvas, 91 by 121 cm, 2012
“2012-08-02” acrylic on canvas, 91 by 121 cm, 2012
“2012-08-03” acrylic on canvas, 91 by 121 cm, 2012
“2012-08-04” acrylic on canvas, 91 by 121 cm, 2012
“2012-08-05” acrylic on canvas, 91 by 121 cm, 2012
“2012-08-06” acrylic on canvas, 91 by 121 cm, 2012
Mountains (a Series – Part 2)
In this part 2, I share more mountain paintings, a few more from the Banff region with a couple more based on reference photos from when I cycled the “Golden Triangle” in May of 2010.
“Sun Play II”, oil on hardboard, 41 by 30 cm, 2009
“Mountains Over Vermilion River”, oil on hardboard, 30 by 41 cm, 2010
“Mountain’s Edge”, oil on hardboard, 51 by 61 cm, 2009
“On the Ridge”, oil on canvas, 46 by 46 cm, 2010
“Rocky Mountain Serene” oil on canvas, 23 x 30 cm, 2009
untitled, oil on hardboard, 20 by 30 cm, 2009
Mountains (a Series – Part 1)
Living in the Canadian province of Alberta, the Rocky mountains have always been nearby and not an infrequent subject for my art (although not nearly as much as I would like). In this 2-part blog post I will share my take on mountains as subjects for landscape paintings.
All of the works in this “Part 1” were painted in August 2009 when I spent a week at the Banff Centre.
“Twisted Stone”, Oil on hardboard, 30 by 41 cm, 2009
“Mountain Mystery”, oil on canvas, 61 by 41 cm, 2009
“Long Shadows on Tunnel Mountain”, oil on hardboard, 30 by 41 cm, 2009
“Bow Valley from Tunnel Mountain”, oil on hardboard, 41 by 30 cm, 2009
“Sun Play (Banff)”, oil on hardboard, 61 by 51 cm, 2009
“Banff Evening Solitude”, oil on canvas, 51 by 76 cm, 2009
Lines (an Abstract Painting Series)
This small series from the autumn of 2012 was an exploration of mark making into the wet surface of an oil-painted canvas:
“Marks”, oil on hardboard, 30 by 30 cm, 2012
“Fall”, Oil on canvas, 46 by 46 cm, 2012
“Lines in a Field”, oil on hardboard, 30 by 30 cm, 2012
“Spirals”, Oil on canvas, 46 by 46 cm, 2012
“Maxwell”, Oil on hardboard, 61 by 61 cm, 2012
West Coast Trees (Painting Series)
In my previous blog post I shared a series of my landscape paintings of scenes from Canada’s west coast. Again, these were painted around 1992, in fact these paintings were intermingled with the more open coastal scenes done during the same period.
“Candles in the Rain”, acrylic on hardboard, 51 by 61 cm, 1992
“Red Trees”, acrylic on hardboard, 36 by 38 cm, 1992
“Red Path and Trees (study)”, acrylic on hardboard, 51 by 61 cm, 1992
“In the Darkness Grows”, acrylic on hardboard, 36 by 38 cm, 1992
“Together”, acrylic on canvas, 51 by 61 cm, 1992
West Coast (a Painting Series)
In around 1992 after visits to Canada’s west coast (particularly the Gulf Islands), I produced, perhaps my favorite series of paintings. This collection featured trees(and/or driftwood), shorelines and often active skies. My works at this time may show signs of influence from the paintings of Emily Carr.
“Bending to the Sky”, acrylic on hardboard, 61 by 61 cm, 1992
“Windswept”, acrylic on hardboard, 51 by 61 cm, 1992
“Red Leaning”, acrylic on hardboard, 12 by 15 cm, 1992
“Waiting on Island View Beach”, acrylic on canvas, 61 by 76 cm, 1992
“Turning Sky”, acrylic on canvas, 61 by 61 cm, 1992
Night Train (a Series)
This painting series was a bit unique for me. It had a common theme in terms of the subject matter – all of the images were drawn from what I saw (and captured with photos) during the night while on a train between Edmonton and Vancouver in November of 2007. What was unique for me was the use of oil pastel on a number of the works, and oil paint on a couple of larger ones.
“Rolling Through the Night”, oil on canvas, 41 by 51 cm, Nov 2008
“November Rockies Dusk”, oil pastel on paper, 23 x 30 cm, 2009
“Passing in the Night”, oil pastel on paper, 23 x 30 cm, 2008
“Night Siding”, oil pastel on paper, 23 x 30 cm, 2009
“Dawn Arrival”, oil pastel on paper, 23 x 30 cm, 2009
“Supporting the Dawn”, oil pastel on paper, 30 x 23 cm, 2008
“Morning Train into Vancouver “, oil on hardboard, 61 x 71 cm, 2008
Riverdale (a painting Series)
In the early 1990’s I did a series of paintings of the Riverdale community, in Edmonton’s river valley.
“Tree Frog Press”, acrylic on hardboard, 30 by 41 cm, 1991
“Bird Bath”, acrylic on canvas, 61 by 51 cm, 1992
One of the most distinguishing features of the community at the time was the large, undeveloped tract of land that belonged to the historic Little Brick factory, By the end of the decade those fields would be redeveloped to look like suburbia, but at the time it lent a rural charm to this area, just a kilometer from downtown.
“Old Brickyard Field”, acrylic on canvas, 51 by 61 cm, 1992
“Old Brickyard Road” acrylic on canvas, 51 by 61 cm, 1992
“The Little Brick House”, acrylic on hardboard, 28 by 36 cm, 1991
“The Rink Shack”, acrylic on canvas, 51 by 61 cm, 1992
“Sun on 92nd Street”, acrylic on hardboard, 36 by 38 cm, c. 1992
A decade and half later I would revisit this series with a few more paintings of the community:
“Summer Morning on 91st Street”, oil on hardboard, 51 by 61 cm, 2008
“Riverdale Garage (winter sunlight)”, oil on canvas, 41 by 51 cm, 2008
Earth Light Tapestries Series (part 3)
This blog post shares the last eight works of my 24-piece Earth Light Tapestries series of paintings. The first 16 pieces were shared in Parts 1 and 2 of this blog post.
“Earth Light Tapestry XVII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XVIII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XIX”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XX”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XXI”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XXII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XXIII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
The 24th (final) piece in this series was completed in July 2007, about 8 months after the start. About half of the series formed a solo exhibition at the Gallery at Milner (Library in Edmonton) in November of 2009.
“Earth Light Tapestry XXIV”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
Earth Light Tapestries Series (part 2)
In this blog post, I present the middle third (pieces 9 – 16) of my 2006/7 Earth Light Tapestries series of abstract paintings. (The first 8 pieces are shown in Part 1 of this blog post)
“Earth Light Tapestry IX”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry X”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XI”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XIII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XIV (The Sun King)”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XV”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry XVI”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
The final group of paintings from this series can be seen in part 3 of this blog post.
The Earth Light Tapestries Series (Part 1)
The non-representational (abstract) painting series which I called “Earth Light Tapestries was my largest and most deliberate series. I began the series in late 2006 and finished in early 2007. A dozen pieces from this series were exhibited in a solo show at the Milner Library in Edmonton in November of 2009.
From the start, I set out with the goal to paint 24 pieces, each which would be 24 by 24 inches (61 x 61 cm) in size. I used acrylic paints with the intent to be experimental with textures and additives. The “earth” in the series title refers to the “earth” pigments (ochres, umbers, sienna, etc.) that dominated the colors through this series.
The pieces were just given numerical titles (in roman numerals) corresponding to the order in which they were created.
“Earth Light Tapestry I”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry II”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry III”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry IV (Windy City Sand Storm)”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
The “sand” reference in “IV” comes from the texture which was created by the mixing a fine sand into the paint and gel media.
“Earth Light Tapestry V”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry VI”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry VII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
“Earth Light Tapestry VIII”, acrylic on hardboard, 24 by 24 inches (61 x 61 cm)
The rest of the pieces in this painting series are presented in Parts 2 and 3 of this blog post series.
Alberta Landscapes (Painting Series, Before and After 2010)
In my previous blog post I shared my Alberta landscape paintings from the particularly busy year of 2010. In this post, I share my landscape works from a couple years before and after that year.
“Red Deer Field and Trees (study)”, oil on hardboard, 20 x 25 cm, 2007
“Canola Fields I”, oil on canvas, 51 x 76 cm, 2008
“Canola Fields II”, oil on canvas, 76 x 51 cm, 2008
(See the previous blog post for Alberta landscape paintings from the year 2010)
“North Saskatchewan River”, oil on canvas, 61 x 91 cm, 2011
“Storm Approaches” acrylic on hardboard, 61 x 91 cm, 2012
“Dark Treeline”, acrylic on canvas, 61 x 91 cm, 2012
“Bend in the North Saskatchewan River”, water color on paper, 10 x 15 cm, 2012
Alberta Landscapes – 2010 (a Painting Series)
Although landscapes are a theme I have always painted, there are periods when they become a particular focus. In around 2010, I developed a new series of landscapes from my home province of Alberta. Most of these again depict the prairies and parkland that dominates the central region of the province. I was painting primarily with oils during this period and this series was painted in the studio.
“Vanishing Prairie”, oil on hardboard, 31 x 41 cm, 2010
“Beside the Highway”, oil on canvas, 23 x 30 cm, 2010
“August Prairie and Sky”, oil on canvas, 76 x 51 cm, 2010
“Flat Prairie Horizon”, oil on canvas, 41 x 51 cm, 2010
“Prairie and Forest”, oil on canvas, 45 x 61 cm, 2010
Prairie Exit”, oil on canvas, 51 x 41 cm, 2010
Prairie Gold”, oil on canvas, 46 x 61 cm, 2010
“Prairie Hay”, oil on hardboard, 30 x 41 cm, 2010
“Prairie’s Edge”, oil on hardboard, 30 x 41 cm, 2010
“Sheltered Prairie”, oil on canvas, 41 x 51 cm, 2010
“Through the Trees”, oil on canvas, 41 x 51 cm, 2010
Alberta Landscapes – 1990 (a Painting Series)
In the late 1980’s and early 1990’s the subject matter of my painting was primarily landscapes, and more specifically the prairies, parkland and foothills of central part of Alberta.
“Approaching Prairie Storm”, acrylic on canvas, 61 x 91 cm, c. 1989
“Central Alberta Summer Horizon”, acrylic on hardboard, 61 x 41 cm, c. 1989
“Central Alberta Landscape”, acrylic on hardboard, 46 x 61 cm, 1992
“Red Deer College”, acrylic on canvas, 91 x 121 cm, c. 1989
“Restless Foothills”, acrylic on hardboard, 41 x 61 cm, 1991
“Road to the Rockies”, acrylic on canvas, 61 x 91 cm, 1991
“Rolling Prairie with Fence”, acrylic on canvas, 61 x 91 cm, 1991
“Southern Alberta Foothills”, acrylic on canvas, 51 x 91 cm, 1991
“Thunder Cloud”, acrylic on hardboard, 20 x 25 cm, c. 1990
“Stripey Fields”, acrylic on hardboard, 41 x 61 cm, 1988
Whales Atrium (a Painting Series)
One of my weirdest (and by weird I mean quirky and fun) painting series was the abstract group of paintings that I did in 2010 and which I called “Whales Atrium”*. In this series I played around with various acrylic media and additive in a very exploratory and undirected way. Other than the lack of any direction other than to experiment, the common element to the 12 paintings in this series is the size – all works are on 30 by 30 cm (12 inch) hardboard panels.
“Eggman”
“English Garden”
“Ga Joob”
“I am He”
“If the Sun Don’t Shine”
“I’m Crying”
“Penguin Singing”
“See How They Fly”
“See How They Run”
“Sitting on a Cornflake”
“Smile Like Pigs”
“The Joker Laughs”
Don’t try to read too much into the titles of these works, they were largely an afterthought.
* I am still waiting for someone to “get” the significance of this series title. Let me know if you think you do.
Auvergne (Painting Series) – part 2
In Part 1, I shared some plein air paintings I made during a 3 week stay in a small village in the Auvergne region of central France. I was captivated by the area and it continued to be an influence on my painting for years. Not only did I paint while there but I also sketched and took many photos. These references and my memories inspired these paintings:
“Montaigut” oil on hardboard, 61 x 41 cm, c. 1986
“Steve Painting in Field”, acrylic on hardboard, 46 x 61 cm, c. 1986
“Evening Stroll Back to Montaigut”, acrylic on canvas, 51 x 76 cm, c. 1988
“Auvergne Landscape”, acrylic on hardboard, 46 x 61 cm, 1984 AoM
There are a few other paintings I have done of rural France that I count in this series, although I can’t be sure the scenes are from my 1984 visit to Auvergne or from another of my two trips to France during the eighties.
“Country Road”, acrylic on hardboard, 41 x 30 cm, c. 1985
“Maison dans la Campagne”, acrylic on canvas, 46 x 30 cm, c. 1986
“Red Roof in French Landscape”, acrylic on hardboard, 30 x 46 cm, c. 1988
Auvergne (Painting Series) – part 1
The creation of my first painting series (a group of works based on a common theme and style), was an important point for my artistic development. In August of 1984 I attended a “Painting in France” course put on by Paul Deggan (in conjunction with Capilano College in Vancouver). I and three other students stayed at Deggan’s home / art studio in the small, medieval village of Montaigut-le-Blanc in central France (the Auvergne region). For three weeks (after a week in Paris) we explored and painted this picturesque village (with it’s old chateau, a church and village walls) and surrounding rural areas.
The paintings in Part 1 of this series blog post are works that were painted “en plein air”, right there looking directly at the scene.
“Countryside View from Chateau” Oil on canvas board 45 x 56 cm
“L’Eglise”, oil on canvas board 33 x 41 cm
“In the Field”, oil on canvas board, 28 x 41 cm
“Arch in Montaigut-le-Blanc” – oil on canvas board, 38 x 56 cm
A number of other paintings were created as part of this series but they were done after the trip, back in the studio, from sketches and reference photos. These other paintings are featured in part 2 of this blog.
The North (Painting Series)
In 2009, I painted a series inspired by a train trip from Toronto to Edmonton in December of 2008. The first day and a half of the trip covered southern and northern (northwest) Ontario (actually not very far north in terms of Canada’s geography but feeling very far removed compared to the Toronto region). I took many photos of the rugged terrain of the Canadian Shield to use as reference images for paintings. As a series this is one of my personal favorites. Here are the key works:
“Evening from the Canadian”, oil on canvas, 61 by 122 cm (24×48″), 2009
“Leaning”, oil on canvas, 41 by 41 cm (16×16″), 2009
“Northern Survivor”, oil on canvas, 51 by 76 cm (20 x 30″), 2009
“Winter Sunrise on the Rails”, oil on canvas, 61 by 61 cm (24 x 24″), 2009
“December Sunset (Northern Ontario)”, oil on canvas, 61 by 61 cm (24×24″), 2009
“Leaning II”, oil on canvas, 61 by 61 cm (24×24″), 2009
“Northern Sunset Over Unknown Lake”, oil on canvas, 61 by 91 cm (24×36″), 2009
Randall Talbot - Artist 