painting and photographic works

Posts tagged “Red Deer College

Alberta Landscapes – 1990 (a Painting Series)

In the late 1980’s and early 1990’s the subject matter of my painting  was primarily landscapes, and more specifically the prairies, parkland and foothills of central part of Alberta.

approaching-prairie-storm-c1989-aoc-24x36-web

“Approaching Prairie Storm”, acrylic on canvas, 61 x 91 cm, c. 1989

central-alberta-summer-horizon-c1989-aonm-24x16-web

“Central Alberta Summer Horizon”, acrylic on hardboard, 61 x 41 cm, c. 1989

central-alberta-landscape-1992-aom-18x24-web

“Central Alberta Landscape”, acrylic on hardboard, 46 x 61 cm, 1992

red-deer-college-c1989-aonc-36x48-web

“Red Deer College”, acrylic on canvas, 91 x 121 cm, c. 1989

restless-foothills-1991-aom-16x24-web

“Restless Foothills”, acrylic on hardboard, 41 x 61 cm, 1991

road-to-the-rockies-1991-aonc-24x26-web

“Road to the Rockies”, acrylic on canvas, 61 x 91 cm, 1991

rolling-prairie-with-fence-1991-aoc-24x36-web

“Rolling Prairie with Fence”, acrylic on canvas, 61 x 91 cm, 1991

southern-alberta-foothills-1991-aonc-20x36-web

“Southern Alberta Foothills”, acrylic on canvas, 51 x 91 cm,  1991

thunder-cloud-c1990-aonm-10x8-web

“Thunder Cloud”, acrylic on hardboard, 20 x 25 cm, c. 1990

stripey-fields-1988-aom-16x24-web

“Stripey Fields”, acrylic on hardboard, 41 x 61 cm, 1988

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A Series Experience – Color in the Landscape (part 4)

On Day 4 of our Series “Colour in the Landscape” course we again started our day by meeting in the classroom for a critique. By mid-morning we were off to a park within the City of Red Deer to do our painting (or in my case, again capturing photos for later studio painting). Many in the class were still anxiously looking forward to painting the iconic, bright yellow canola fields. From our base  at Red Deer’s RiverBend Park we were able to find canola fields and much more.

A Bend in the Red Deer River (at RiverBend Park)

At the name of the park would suggest this area is by a river, enclosed by a large loop in the river. The area has a golf course, a naturalized water park, lots of wooded areas and abundant vista including the river and surrounding farmlands. There was so much of interest I didn’t know where to start so I walked around with my camera (again). I got lots of ideas and references for paintings but never did pull out my paints or sketch book in my few hours there.

Water Park in Red Deer's Discovery Canyon at RiverBend Park

Natural Beauty on the banks of the Red Deer River

After a few hours wandering around down in the valley I headed back up to the plain on my way back to the studio at Red Deer College. There I found some great vistas of rolling prairie with bright yellow canola fields. A couple of our class members were set up next to the road paintings these awesomely colorful scenes.

Canola Fields and Rolling Prairie

Back at the studio my mid-afternoon, I continued work for a couple of hours on the canvases that I’d started earlier.

That evening  featured a much-looked-forward-to event  that happens every Thursday evening during the Series program – the show of student works from the week. All of the classes (something like 10 of them) have a display of what has been accomplished in just 4 days. It is awesome!

The Thursday Evening Series Show

Some of the week's work from the "Colour in the Landscape" class

After the evening’s events it was back to the studio for another hour or two for me. Not too many people took advantage of the evening availability of the studio but as I had spent so much of my daytime with the camera I was very grateful to have the opportunity.

Field's Edge and Afternoon Sky (Randall Talbot)


A Series Experience – Color in the Landscape (part 3)

Wednesday 2011 July 13, the third day of Red Deer College Series course “Colour in the Landscape”, with Dave More.

Our painting location for today was about a 20 minute drive northeast of Red Deer at the Ellis Bird Farm [map]

Bluebird Crossing

This location had a great variety of subject matter to paints from farm fields to reflective ponds, landscape gardens to forest, and interesting plants and animals. There was even an industrial plant visible across the highway. I again started my day with wandering around with my camera – all of the varied subject matter was great for photography too.

A motion-abstracted photo of a landscape from the Ellis Bird Farm

Some (of the hundreds) of the Birdhouses on a Fence

Reflections in a Natural Pond at Ellis Bird Farm

Landscaped Pond at the Ellis Bird Farm

A fellow student painting on-site at the Ellis Bird Farm

A Path in the Woods (at Ellis Bird Farm)

One of the expected highlights of the day for the class was to paint the bright yellow canola fields that are seen everywhere in central Alberta in July. Alas there were not  many to be seen right from the Ellis Bird Farm location. There were however glimpses of canola fields in the distance (and we would get closer the next day):

Fence and Fields

Although this fabulous location had many great subjects for painting, it turned out that I didn’t even do a sketch on this day. I took a lot of photos and later, back in the studio I would produce this acrylic painting based on one scene:

My painting of tracks through the field near Ellis Bird Farm

I ended up working back at Red Deer College in the studio until about 10 that evening. That studio availability is one of the things I love about the Series courses!

To see more photos from this day and others on the Series course please visit my Flickr page.


A Series Experience – Color in the Landscape (part 2)

This is my account of Day 2 (Tuesday July 12) of the Colour in the Landscape course offered by Red Deer College as part of their 2011 Series program.

My Studio Setup

I arrived early to the classroom on this day and immediately went to the room next door where we were set up with studio easels. My plan was to work in the studio from my field sketches – painting in acrylics. The first step was to lay out my acrylics, palette and  other paintng supplies. I didn’t have time to start painting that morning but I was ready to get down to work later in the day

Again we started the day with a quick critique of the previous day’s paintings (but I hadn’t gotten further than a few pen and marker sketches). We then had a slide presentation by instructor from instructor Dave More and a few words about the types of contrast. By tenish we got the maps for the daytrip and headed out. This day we went to historic Markerville, a 25 minute drive southwest of Red Deer.

Sign Outside the Creamery Museum

Markerville [map] is a tiny hamlet that historically was the site of a significant settlement for Icelandic settlers. It also featured a regional creamery and was the regional supply center. Today it is a quaint, little community , with a creamery museum and cafe, set on a small river with picturesque surrounding fields and landscapes. Of course we were there for the landscapes (and ice cream).

Upon arrival, our group soon spread out, some choosing village buildings or gardens to paint, others picking scenes with the river, fields or barns. I chose to spend the first hour or so just walking around with my camera, scouting out scenes to sketch later and capturing some reference photos.

Markerville's old one-lane, wood-surfaced bridge

Markerville Creamery Museum (and cafe)

A popular painting subject at Markerville

Painting in a field

Painting in-town (Markerville)

Painting at the edge of town

My colored Conte set

After having a huge and delicious double ice cream cone, I settled in on a bench, offering me a view of the river and fields to the southeast of Markerville.

One of my goals for the days was to try out different sketching media. I first dug out my watercolor sticks and after drawing in the scene in ink, I rubbed in the watercolor stick both dry and set. I also used a watercolor brush to blend in the colors and to apply some details. The result wasn’t great but I was satisfied to give it a try. Next, I changed my viewpoint a bit and dug out my colored Conte sticks. Again I started with an ink drawing but then used the Conte for color and value. Once the basic colors were laid-in I used water and brush for blending.

Markerville Sketch 2

After these sketches I drove back to the College. I intended to get down to painting in the studio that evening but by the time I got there I found the door locked. Fortunately though that freed me up to take-in a professional development seminar put on by Sharon Moore-Foster of the VAAA ( and who was also a figurative sculpting instructor that week).

See Part 1 in my blog for the story of the first day and for links to related information.


Landscape Photos Abstracted

While at Red Deer College in the Series “Color in the Landscape”  painting course, I always had a camera with me to capture reference photos for the  landscapes I would be painting (in a mostly representational manner). However, I could not avoid also capturing interesting photos purely for their abstract appeal. I particularly like to put the camera in motion to capture some atmospheric images. I find that the initial image is only half way to the finished abstract image. the post-processing  on the computer is equally important for me to realize a satisfying final work. I typically use Capture NX2 to adjust contrast, saturation and to crop the image.

Abstract 238-032

Occasionally I will use a digital “filter” from Color Efex Pro to coax out a unique effect.

Abstract 238-034

A full moon, slow exposure and panning the camera provided the basis for this Rothkoesque image:

Abstract 238-057

In this next image I applied an infrared treatment with Color Efex to get the strong yellow/pink color scheme to an image which I already had achieved the motion blur by a horizonatal sweep of the camera during exposure:

Abstract 238-031

Hillside is one of my favorites of this group and is at the top of my list to turn into a painting. The colors, composition and motion all appeal to me in this image:

Abstract 238-067 (Hillside)


A Series Experience – Color in the Landscape (part 1)

Last week (2011 July 11-15) I attended an inspiring painting course: “Color in the Landscape”. The course was one of eleven courses running in the Series program that week. Series is a long-running summer visual arts program put on by Red Deer College in the City of Red Deer [map]. Each July for the college offers a selection of week-long learning experiences in the visual arts. There are courses in every imaginable visual arts media from painting and drawing to sculpture, glass blowing, photography and jewelry-making. I have taken advantage of these programs many times over the last twenty years. It is always wonderful to get away from home and immerse oneself in art making (and learning of course). In conjunction with the courses, students have the option to book accomodations in the on-campus townhouse residences, which really helps to avoid distractions and to keep the focus on the art.

Typical color in the landscape around Red Deer as seen on the drive there

Red Deer College Residences

My week started with the 2 hour drive down from Edmonton, late on a Sunday afternoon. After a quick and efficient check-in at the residence office I had my keys and was unloading my stuff into my room. The courses start Monday morning at 0900 so after finding our classroom/studio I moved in with my boxes of painting  and sketching supplies, canvases, etc. The instructor for our course was David More, an excellent landscape painter whose style I have admired for a long time. He was taught courses in the series program for many years and I consider myself fortunate this year to finally get into one of his popular courses.

After introductions, and a slide show/discussion we were off to do some painting for the day, out in the countryside in and around Red Deer. This would be our daily schedule for the week – meet in the class, critique the previous day’s work, discuss some aspect of color theory, get a map for the days destination  and then by mid-morning be on our way.

Student painting en plein air

The first day we went to an urban park in Red Deer, Bower Ponds [map]. While most of my classmates, promptly set up their easels and got to work painting, I chose to wander about the park with  my camera(s) looking for interesting view points and capturing some reference photos for future use.

My sketch bag, book and markers

I chose not to bring along a french easel or pochade box on this  course. One of my goals was to see what I could accomplish for field sketches with a much lighter and more portable set-up. In particular I was interested in using pens, watercolor sticks and oil pastels. On this first day, after doing a lot of walking around the park I eventually did four ink drawings in my small sketchbook and then captured the values and local colors using grey and Pitt colored brush markers.

Path sketch

This Path sketch would be the inspiration for an acrylic painting done in the studio  later in the week.

Bower Pond Bridge sketch

Monday evening featured a welcome dinner put on for the Series particpants which was an opportunity to get to know a few students in other classes taking place that week. Following dinner I wandered around campus with my camera taking some photos of the dramatic skies as a prairie thunderstorm rolled into the area.

Storm Cloud Approaching Red Deer College